{"id":35027,"date":"2024-09-06T12:04:42","date_gmt":"2024-09-06T16:04:42","guid":{"rendered":"https:\/\/www.boxofficepro.com\/?p=35027"},"modified":"2024-09-19T14:21:04","modified_gmt":"2024-09-19T18:21:04","slug":"long-range-forecast-joker-folie-a-deux-tracking-for-100m-debut","status":"publish","type":"post","link":"https:\/\/www.boxofficepro.com\/long-range-forecast-joker-folie-a-deux-tracking-for-100m-debut\/","title":{"rendered":"Long Range Forecast: JOKER: FOLIE \u00c0 DEUX Tracking for $100M+ Debut"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.boxofficepro.com\/subscribe\/\" target=\"_blank\" rel=\"noreferrer noopener\">Subscribe to our&nbsp;<strong><em>FREE<\/em><\/strong>&nbsp;email newsletters to be notified of our latest updates in pre-release tracking, box office analysis, and industry news.<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Long Range Forecast \u2014 October 4, 2024<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Joker: Folie \u00e0 Deux | Warner Bros. Pictures<br>Domestic Opening Weekend Range: $115M &#8211; $145M<\/h3>\n\n\n\n<p>If released any other year except the one that saw the smash success of <em>Deadpool &amp; Wolverine<\/em>, Warner Bros.&#8217; <em>Joker: Folie \u00e0 Deux<\/em> would be a virtual lock for the year&#8217;s highest-grossing R-rated debut. Even with <em>Deadpool &amp; Wolverine<\/em>&#8216;s $211.4M opening haul out of reach for the newer title, the <em>Joker<\/em> sequel should easily cross the $100M mark in its opening frame\u2014an achievement that only <em>Deadpool &amp; Wolverine <\/em>and <em>Inside Out 2 <\/em>have boasted so far this year, with September release <em>Beetlejuice Beetlejuice<\/em> likely to get there in the interim.<\/p>\n\n\n\n<p>Following <em>Joker: Folie \u00e0 Deux<\/em>&#8216;s world premiere at the Venice Film Festival and the subsequent first wave of reviews, critical reception has been mixed, with Rotten Tomatoes&#8217; approval rating clocking in at 60 percent positive (among 43 reviews). That said, mixed reviews and a healthy dose of pre-release controversy didn&#8217;t exactly keep the first <em>Joker<\/em> movie (69% approval on Rotten Tomatoes) from racking up both commercial and awards season success; it won the Golden Lion (among other awards) when it premiered at Venice in 2019, then went on to a debut of $96.2M domestically ($335.4M domestic total) before capping off an improbably successful run with a slate of Academy Award nominations\u2014including one for Best Picture\u2014and a Best Actor win for star Joaquin Phoenix.<\/p>\n\n\n\n<p>Expectations are that <em>Joker: Folie \u00e0 Deux<\/em> will out-earn its predecessor over its opening weekend, with a high level of excitement following the success of the original, the presence of Lady Gaga, and a general lack of competition from other R-rated movies aimed at a young male demographic all emerging as factors. When the first <em>Joker<\/em> came out in the first week of October, fellow Warner Bros. release<em> It Chapter 2<\/em> ($91.6M domestic opening, $211.6M domestic total) had come out only a month prior, whereas two-plus months stand between <em>Joker: Folie \u00e0 Deux<\/em> and <em>Deadpool &amp; Wolverine<\/em>. Additionally,  <em>Joker: Folie \u00e0 Deux<\/em> is one of only four comic book movies slated for release this year, with two, <em>Venom: The Last Dance<\/em> and <em>Kraven the Hunter,<\/em> yet to come out. By contrast, 2019 had seen the release of five comic book movies\u2014including one DC Comics adaptation (<em>Shazam<\/em>!, $53.5M domestic opening, $140.4M domestic total) and one that would go on to be the second-highest domestic earner of all time (A<em>vengers: Endgame<\/em>, $357.1M domestic opening, $858.3M domestic total)\u2014by the time <em>Joker<\/em> hit screens in early October.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Top Domestic Openings for R-Rated Comic Book Films<\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li><em>Deadpool &amp; Wolverine <\/em>(2024)\u2014$211.4M<\/li>\n\n\n\n<li><em>Deadpool<\/em> (2016)\u2014$132.4M<\/li>\n\n\n\n<li><em>Deadpool 2<\/em> (2018)\u2014$125.5M<\/li>\n\n\n\n<li><em>Joker<\/em> (2019)\u2014$96.2M<\/li>\n\n\n\n<li><em>Logan<\/em> (2017)\u2014$88.4M<\/li>\n<\/ol>\n\n\n\n<p>That said, the tone of <em>Joker<\/em> was quite different from those other 2019 comic book releases\u2014just as the tone of <em>Joker: Folie \u00e0 Deux<\/em> could turn out to be different from that of <em>Joker<\/em>. There&#8217;s been some back-and-forth in the run-up to the new film&#8217;s release as to whether it is or is not a musical, with director Todd Phillips hedging his bets when introducing the first footage from the film at CinemaCon\u2014saying it &#8220;doesn&#8217;t veer too far from the first film&#8221; in that &#8220;it&#8217;s a film where music is an essential element&#8221;\u2014and <a href=\"https:\/\/www.billboard.com\/culture\/tv-film\/lady-gaga-doesnt-think-joker-folie-a-deux-musical-1235766893\/\" title=\"\">Lady Gaga more recently saying<\/a>, at a Venice Film Festival press conference, that  \u201cI wouldn\u2019t necessarily say that this is actually a musical. The way that music is used is to give the characters a way to express what they need to say, because the scene and dialogue wasn\u2019t enough.\u201d Arguments as to whether <em>Joker: Folie \u00e0 Deux<\/em> should technically be considered a musical aside, the confusion could have a negative effect on repeat viewings if fans not expecting a (slight) departure in tone are turned off from seeing it a second time.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Joker: Folie \u00c0 Deux | Official Trailer\" width=\"798\" height=\"449\" src=\"https:\/\/www.youtube.com\/embed\/_OKAwz2MsJs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Tracking Updates [as of 9\/6]<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Release Date<\/strong><\/td><td><strong>Title<\/strong><\/td><td><strong>Opening Weekend Range<\/strong><\/td><td><strong>Distributor<\/strong><\/td><\/tr><tr><td>9\/13\/24<\/td><td><em><em>Speak No Evil<\/em><\/em><\/td><td>$15 \u2013 $20M<\/td><td>Universal<\/td><\/tr><tr><td>9\/13\/24<\/td><td><em><em>The Killer\u2019s Game<\/em><\/em><\/td><td>$4 \u2013 $8M<\/td><td>Lionsgate<\/td><\/tr><tr><td>9\/20\/24<\/td><td><em><em>Transformers One<\/em><\/em><\/td><td>$40 \u2013 $50M<\/td><td>Paramount<\/td><\/tr><tr><td>9\/20\/24<\/td><td><em><em>Never Let Go<\/em><\/em><\/td><td>$7 \u2013 $10M<\/td><td>Lionsgate<\/td><\/tr><tr><td>9\/27\/24<\/td><td><em>The Wild Robot<\/em><\/td><td>$25 &#8211; $30M<\/td><td>Universal<\/td><\/tr><tr><td>9\/27\/24<\/td><td><em>Megalopolis<\/em><\/td><td>$4 &#8211; $8M<\/td><td>Lionsgate<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong><em>Boxoffice Pro is the world\u2019s leading reference in box office forecasts and reports, reaching 98% of decision-makers in theatrical exhibition.&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>Our complete forecasting reports are updated weekly by our Boxoffice Forecasting Panel, which consists of industry professionals and leading executives representing exhibition, distribution, and premium large-format vendors. Full reports are available to all active National Association of Theatre Owners members and select industry clients.<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>To learn how to receive our complete forecasting solutions, please get in touch with&nbsp;<a href=\"mailto:sales@boxoffice.com\">sales@boxoffice.com<\/a>.&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Subscribe to our&nbsp;FREE&nbsp;email newsletters to be notified of our latest updates in pre-release tracking, box office analysis, and industry news. Long Range Forecast \u2014 October 4, 2024 Joker: Folie \u00e0 Deux | Warner Bros. PicturesDomestic Opening Weekend Range: $115M &#8211; $145M If released any other year except the one that saw the smash success of [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":35071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"2024-09-06T16:04:51Z","apple_news_api_id":"5c1cf0bc-7c19-4182-ad8b-8d8e5c14b9fb","apple_news_api_modified_at":"2024-09-13T20:13:57Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAAg==","apple_news_api_share_url":"https:\/\/apple.news\/AXBzwvHwZQYKti42OXBS5-w","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[28,25],"tags":[5516,813],"class_list":["post-35027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forecasts-tracking","category-numbers","tag-joker-folie-a-deux","tag-warner-bros"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/35027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=35027"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/35027\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/35071"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=35027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=35027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=35027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}