58% on Rotten Tomatoes<\/a> (above the original’s 41%), CinemaScore was a “B+,” and Rotten Tomatoes audience score was 78%, indicating overall approval. PostTrak had audience reactions at 3 & 1\/2 stars and 72% positive, with 64% men attending. Most of those males were older, with 79% of ticket buyers coming in over age 25.<\/p>\n\n\n\nEven though it slid back to the #2 spot with $13.2M (-44% drop), Disney’s Mufasa: The Lion King<\/em> has now passed the $500M mark with $539.7M globally. Meanwhile, its family rival Sonic the Hedgehog 3 came in third with $11M, enough to slide it past the $200M landmark domestically with $204.5M. Universal’s Wicked<\/em> (#7, $5M) is now within striking distance of the $700M mark with a $697.6M global total.<\/p>\n\n\n\nRoadside Attractions’ The Last Showgirl<\/em>, starring an awards-buzzy Pamela Anderson and Jamie Lee Curtis, opened wide after an Academy qualifier in December with $1.5M in 807 locations to place at #10. Both actresses received Screen Actors Guild nods this week.<\/p>\n\n\n\nParamount’s unconventional rock star biopic Better Man <\/em>expanded from the six screens of its last two frames into 1,291 locations, where it grossed an estimated $1.05M for a $813 PSA. Disinterest in the film -in which singer Robbie Williams is depicted as a CGI monkey–also extends overseas, where the movie has already collected $7.7M<\/p>\n\n\n\nSunday\u2019s Studio Weekend Estimates
Weekend 2 \u2013 2025
Total 3-Day Domestic Estimates:
$76,386,331M | (-21.4% vs 2024)<\/h2>\n\n\n
\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n| Title<\/td>\n | Weekend Estimate<\/td>\n | % Change<\/td>\n | Locations<\/td>\n | Location Change<\/td>\n | PSA<\/td>\n | Domestic Total<\/td>\n | Week<\/td>\n | Distributor<\/td>\n<\/tr>\n |
\n| Den of Thieves 2: Pantera<\/td>\n | $15,500,000<\/td>\n | \u00a0<\/td>\n | 3,008<\/td>\n | \u00a0<\/td>\n | $5,153<\/td>\n | $15,500,000<\/td>\n | 1<\/td>\n | Lionsgate<\/td>\n<\/tr>\n |
\n| Mufasa: The Lion King<\/td>\n | $13,200,000<\/td>\n | -44%<\/td>\n | 3,620<\/td>\n | -305<\/td>\n | $3,646<\/td>\n | $188,777,479<\/td>\n | 4<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| Sonic the Hedgehog 3<\/td>\n | $11,000,000<\/td>\n | -48%<\/td>\n | $3,582<\/td>\n | -164<\/td>\n | $3,071<\/td>\n | $204,515,000<\/td>\n | 4<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| Nosferatu<\/td>\n | $6,800,000<\/td>\n | -48%<\/td>\n | $3,082<\/td>\n | -50<\/td>\n | $2,206<\/td>\n | $81,807,000<\/td>\n | 3<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| Moana 2<\/td>\n | $6,500,000<\/td>\n | -48%<\/td>\n | $3,170<\/td>\n | -175<\/td>\n | $2,050<\/td>\n | $434,855,208<\/td>\n | 7<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| A Complete Unknown<\/td>\n | $5,000,000<\/td>\n | -39%<\/td>\n | $2,815<\/td>\n | -20<\/td>\n | $1,776<\/td>\n | $50,847,682<\/td>\n | 3<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n |
\n| Wicked<\/td>\n | $5,000,000<\/td>\n | -50%<\/td>\n | 2,967<\/td>\n | -320<\/td>\n | $1,685<\/td>\n | $458,900,000<\/td>\n | 8<\/td>\n | Universal<\/td>\n<\/tr>\n |
\n| Babygirl<\/td>\n | $3,098,318<\/td>\n | -31%<\/td>\n | 1,887<\/td>\n | -277<\/td>\n | $1,642<\/td>\n | $21,738,200<\/td>\n | 3<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| The Brutalist<\/td>\n | $1,387,740<\/td>\n | 468%<\/td>\n | 68<\/td>\n | 60<\/td>\n | $20,408<\/td>\n | $2,742,117<\/td>\n | 4<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| Gladiator II<\/td>\n | $1,200,000<\/td>\n | -54%<\/td>\n | 1,329<\/td>\n | -419<\/td>\n | $903<\/td>\n | $170,989,000<\/td>\n | 8<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| Homestead<\/td>\n | $1,089,540<\/td>\n | -46%<\/td>\n | 1,500<\/td>\n | -200<\/td>\n | $726<\/td>\n | $19,263,120<\/td>\n | 4<\/td>\n | Angel Studios<\/td>\n<\/tr>\n |
\n| Better Man<\/td>\n | $1,050,000<\/td>\n | +3,924<\/td>\n | 1,291<\/td>\n | +1,285<\/td>\n | $813<\/td>\n | $1,153,000<\/td>\n | 3<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| Kraven the Hunter<\/td>\n | $345,000<\/td>\n | -67%<\/td>\n | 1,004<\/td>\n | -858<\/td>\n | $344<\/td>\n | $24,439,000<\/td>\n | 5<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n |
\n| The Fire Inside<\/td>\n | $307,998<\/td>\n | -74%<\/td>\n | 1,022<\/td>\n | -1,010<\/td>\n | $301<\/td>\n | $7,861,083<\/td>\n | 3<\/td>\n | Amazon MGM S\u2026<\/td>\n<\/tr>\n |
\n| Flow<\/td>\n | $303,400<\/td>\n | 42%<\/td>\n | 247<\/td>\n | 120<\/td>\n | $1,228<\/td>\n | $3,008,224<\/td>\n | 8<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| The Damned<\/td>\n | $186,000<\/td>\n | -76%<\/td>\n | 563<\/td>\n | -169<\/td>\n | $330<\/td>\n | $1,254,633<\/td>\n | 2<\/td>\n | Vertical Ent\u2026<\/td>\n<\/tr>\n |
\n| Hard Truths<\/td>\n | $165,625<\/td>\n | \u00a0<\/td>\n | 22<\/td>\n | \u00a0<\/td>\n | $7,528<\/td>\n | $165,625<\/td>\n | 6<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n |
\n| A Real Pain<\/td>\n | $118,000<\/td>\n | 2%<\/td>\n | 70<\/td>\n | -35<\/td>\n | $1,686<\/td>\n | $8,028,862<\/td>\n | 11<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n |
\n| Nickel Boys<\/td>\n | $112,219<\/td>\n | -23%<\/td>\n | 26<\/td>\n | 8<\/td>\n | $4,316<\/td>\n | $578,297<\/td>\n | 5<\/td>\n | Amazon MGM S\u2026<\/td>\n<\/tr>\n |
\n| The Count of Monte Cristo<\/td>\n | $105,000<\/td>\n | -44%<\/td>\n | 93<\/td>\n | n\/c<\/td>\n | $1,129<\/td>\n | $445,235<\/td>\n | 4<\/td>\n | Samuel Goldw\u2026<\/td>\n<\/tr>\n |
\n| Anora<\/td>\n | $90,000<\/td>\n | -41%<\/td>\n | 111<\/td>\n | 6<\/td>\n | $811<\/td>\n | $14,554,317<\/td>\n | 13<\/td>\n | Neon<\/td>\n<\/tr>\n |
\n| Conclave<\/td>\n | $60,000<\/td>\n | -12%<\/td>\n | 68<\/td>\n | 12<\/td>\n | $882<\/td>\n | $31,504,000<\/td>\n | 12<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| September 5<\/td>\n | $60,000<\/td>\n | n\/c<\/td>\n | 20<\/td>\n | 7<\/td>\n | $3,000<\/td>\n | $374,000<\/td>\n | 5<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| All We Imagine as Light<\/td>\n | $52,600<\/td>\n | -25%<\/td>\n | 51<\/td>\n | 7<\/td>\n | $1,031<\/td>\n | $843,861<\/td>\n | 9<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| The Seed of the Sacred Fig<\/td>\n | $31,000<\/td>\n | -34%<\/td>\n | 19<\/td>\n | -1<\/td>\n | $1,632<\/td>\n | $363,442<\/td>\n | 7<\/td>\n | Neon<\/td>\n<\/tr>\n |
\n| Vermiglio<\/td>\n | $29,700<\/td>\n | 100%<\/td>\n | 19<\/td>\n | 16<\/td>\n | $1,563<\/td>\n | $69,691<\/td>\n | 3<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| The Wild Robot<\/td>\n | $16,000<\/td>\n | -47%<\/td>\n | 104<\/td>\n | -8<\/td>\n | $154<\/td>\n | $143,257,000<\/td>\n | 16<\/td>\n | Universal<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n- <\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"
1. Den of Thieves 2: PanteraLionsgate | NEW$15.5M Domestic Opening Weekend The Lion King was taken down by Lionsgate’s “panther” as Den of Thieves 2: Pantera gave the studio its first #1 since November 2023\u2019s The Hunger Games: The Ballad of Songbirds & Snakes. The 7-years-later action heist sequel took an estimated $15.5M on 3,008 […]<\/p>\n","protected":false},"author":34,"featured_media":36626,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24],"tags":[5656],"class_list":["post-36659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","tag-den-of-thieves-pantera"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=36659"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36659\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/36626"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=36659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=36659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=36659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |