Sunday – $800K<\/li>\n<\/ul>\n\n\n\nUnfortunately the slow burn, subtle nature of the storytelling was not what genre fans were looking for, earning a 54% RT audience rating, 2 stars with PostTrak, and a “C+” CinemaScore. The biggest name in the cast was Lucy Liu who -despite visibility in recent tentpoles Shazam! Fury of the Gods<\/em> and Red One<\/em>– is not considered a major draw. As with Flight Risk<\/em> there was very low youth appeal on Presence<\/em> with 73% of ticket buyers over the age of 25. Audiences were 61% male. We mentioned earlier this week that this was going to open low but could be carried by word-of-mouth, though with these exit polls that’s not going to happen. <\/p>\n\n\n\nOpening outside the Top 10 at #11 was Angel Studios’ faith-based Brave the Dark <\/em>starring Jared Harris and Nicholas Hamilton which opened to $2,567,062 million on 2,230 screens for a $1,151 PSA. The high school drama was shot in 2021 and began playing festivals in 2023. It received an “A” CinemaScore.<\/p>\n\n\n\nKino Lorber’s Liza Minnelli documentary Liza: A Truly Terrific Absolutely True Story<\/em> opened on one screen, NYC’s IFC Center, to an estimated $19,000. The studio released a statement saying they aare “thrilled with the box office results from our exclusive opening engagement” and that they will be expanding theatrical rollout in the coming months. <\/p>\n\n\n\nSunday\u2019s Studio Weekend Estimates
Weekend 3 \u2013 2025
Total 3-Day Domestic Estimates:
$66,273,673M | (+17.8% vs 2024)<\/h2>\n\n\n
<\/colgroup>\n\n\nTitle<\/strong><\/td>\nWeekend Estimate<\/strong><\/td>\n% Change<\/strong><\/td>\nLocations<\/strong><\/td>\nLocation Change<\/strong><\/td>\nPSA<\/strong><\/td>\nDomestic Total<\/strong><\/td>\nWeek<\/strong><\/td>\nDistributor<\/strong><\/td>\n<\/tr>\n\n| Flight Risk<\/td>\n | $12,000,000<\/td>\n | \u00a0<\/td>\n | 3,161<\/td>\n | \u00a0<\/td>\n | $3,796<\/td>\n | $12,000,000<\/td>\n | 1<\/td>\n | Lionsgate<\/td>\n<\/tr>\n | \n| Mufasa: The Lion King<\/td>\n | $8,700,000<\/td>\n | -28%<\/td>\n | 3,420<\/td>\n | -135<\/td>\n | $2,544<\/td>\n | $221,073,045<\/td>\n | 6<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| One of Them Days<\/td>\n | $8,000,000<\/td>\n | -32%<\/td>\n | 2,675<\/td>\n | n\/c<\/td>\n | $2,991<\/td>\n | $25,091,000<\/td>\n | 2<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Sonic the Hedgehog 3<\/td>\n | $5,500,000<\/td>\n | -36%<\/td>\n | 3,097<\/td>\n | -209<\/td>\n | $1,776<\/td>\n | $226,096,000<\/td>\n | 6<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| Moana 2<\/td>\n | $4,300,000<\/td>\n | -28%<\/td>\n | 2,550<\/td>\n | -275<\/td>\n | $1,686<\/td>\n | $450,040,500<\/td>\n | 9<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Presence<\/td>\n | $3,415,000<\/td>\n | \u00a0<\/td>\n | 1,750<\/td>\n | \u00a0<\/td>\n | $1,951<\/td>\n | $3,415,000<\/td>\n | 1<\/td>\n | Neon<\/td>\n<\/tr>\n | \n| Wolf Man<\/td>\n | $3,400,000<\/td>\n | -69%<\/td>\n | 3,354<\/td>\n | n\/c<\/td>\n | $1,014<\/td>\n | $17,810,000<\/td>\n | 2<\/td>\n | Universal<\/td>\n<\/tr>\n | \n| A Complete Unknown<\/td>\n | $3,100,000<\/td>\n | -17%<\/td>\n | 2,010<\/td>\n | -490<\/td>\n | $1,542<\/td>\n | $62,946,833<\/td>\n | 5<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n | \n| Den of Thieves 2: Pantera<\/td>\n | $3,000,000<\/td>\n | -55%<\/td>\n | 2,108<\/td>\n | -900<\/td>\n | $1,423<\/td>\n | $31,850,577<\/td>\n | 3<\/td>\n | Lionsgate<\/td>\n<\/tr>\n | \n| The Brutalist<\/td>\n | $2,873,057<\/td>\n | 46%<\/td>\n | 1,118<\/td>\n | 780<\/td>\n | $2,570<\/td>\n | $9,333,947<\/td>\n | 6<\/td>\n | A24<\/td>\n<\/tr>\n | \n| Brave the Dark<\/td>\n | $2,567,062<\/td>\n | \u00a0<\/td>\n | 2,230<\/td>\n | \u00a0<\/td>\n | $1,151<\/td>\n | $2,567,062<\/td>\n | 1<\/td>\n | Angel Studios<\/td>\n<\/tr>\n | \n| Wicked<\/td>\n | $2,400,000<\/td>\n | -33%<\/td>\n | 2,131<\/td>\n | -221<\/td>\n | $1,126<\/td>\n | $468,833,000<\/td>\n | 10<\/td>\n | Universal<\/td>\n<\/tr>\n | \n| Nosferatu<\/td>\n | $2,050,000<\/td>\n | -51%<\/td>\n | 1,973<\/td>\n | -572<\/td>\n | $1,039<\/td>\n | $93,202,000<\/td>\n | 5<\/td>\n | Focus Features<\/td>\n<\/tr>\n | \n| The Seed of the Sacred Fig<\/td>\n | $1,244,000<\/td>\n | +3,172<\/td>\n | 16<\/td>\n | -4<\/td>\n | $77,750<\/td>\n | $1,705,934<\/td>\n | 9<\/td>\n | Neon<\/td>\n<\/tr>\n | \n| Babygirl<\/td>\n | $891,596<\/td>\n | -54%<\/td>\n | 777<\/td>\n | -683<\/td>\n | $1,147<\/td>\n | $27,155,912<\/td>\n | 5<\/td>\n | A24<\/td>\n<\/tr>\n | \n| September 5<\/td>\n | $770,000<\/td>\n | 120%<\/td>\n | 395<\/td>\n | 274<\/td>\n | $1,949<\/td>\n | $1,694,000<\/td>\n | 7<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| The Colors Within<\/td>\n | $378,022<\/td>\n | \u00a0<\/td>\n | 570<\/td>\n | \u00a0<\/td>\n | $663<\/td>\n | $378,022<\/td>\n | 1<\/td>\n | GKIDS<\/td>\n<\/tr>\n | \n| Nickel Boys<\/td>\n | $340,172<\/td>\n | 14%<\/td>\n | 540<\/td>\n | 300<\/td>\n | $630<\/td>\n | $1,505,584<\/td>\n | 7<\/td>\n | Amazon MGM S\u2026<\/td>\n<\/tr>\n | \n| Homestead<\/td>\n | $222,875<\/td>\n | -61%<\/td>\n | 500<\/td>\n | -500<\/td>\n | $446<\/td>\n | $20,655,061<\/td>\n | 6<\/td>\n | Angel Studios<\/td>\n<\/tr>\n | \n| Flow<\/td>\n | $170,600<\/td>\n | -33%<\/td>\n | 221<\/td>\n | -104<\/td>\n | $772<\/td>\n | $3,715,809<\/td>\n | 10<\/td>\n | Janus Films<\/td>\n<\/tr>\n | \n| Hard Truths<\/td>\n | $166,053<\/td>\n | 16%<\/td>\n | 542<\/td>\n | 421<\/td>\n | $306<\/td>\n | $619,578<\/td>\n | 8<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n | \n| Gladiator II<\/td>\n | $160,000<\/td>\n | -67%<\/td>\n | 237<\/td>\n | -377<\/td>\n | $675<\/td>\n | $172,388,000<\/td>\n | 10<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| Anora<\/td>\n | $135,500<\/td>\n | -27%<\/td>\n | 317<\/td>\n | -219<\/td>\n | $427<\/td>\n | $15,063,764<\/td>\n | 15<\/td>\n | Neon<\/td>\n<\/tr>\n | \n| Inheritance<\/td>\n | $132,222<\/td>\n | \u00a0<\/td>\n | 627<\/td>\n | \u00a0<\/td>\n | $211<\/td>\n | $132,222<\/td>\n | 1<\/td>\n | IFC Films<\/td>\n<\/tr>\n | \n| Conclave<\/td>\n | $90,000<\/td>\n | -39%<\/td>\n | 310<\/td>\n | -232<\/td>\n | $290<\/td>\n | $31,911,000<\/td>\n | 14<\/td>\n | Focus Features<\/td>\n<\/tr>\n | \n| A Real Pain<\/td>\n | $76,000<\/td>\n | 27%<\/td>\n | 180<\/td>\n | 125<\/td>\n | $422<\/td>\n | $8,229,859<\/td>\n | 13<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n | \n| The Wild Robot<\/td>\n | $51,000<\/td>\n | -84%<\/td>\n | 249<\/td>\n | -827<\/td>\n | $205<\/td>\n | $143,880,000<\/td>\n | 18<\/td>\n | Universal<\/td>\n<\/tr>\n | \n| All We Imagine as Light<\/td>\n | $48,700<\/td>\n | 19%<\/td>\n | 48<\/td>\n | 14<\/td>\n | $1,015<\/td>\n | $983,053<\/td>\n | 11<\/td>\n | Janus Films<\/td>\n<\/tr>\n | \n| Kraven the Hunter<\/td>\n | $45,000<\/td>\n | -64%<\/td>\n | 184<\/td>\n | -192<\/td>\n | $245<\/td>\n | $24,849,000<\/td>\n | 7<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Liza: A Truly Terrific Absolutely True Story<\/td>\n | $19,000<\/td>\n | \u00a0<\/td>\n | 1<\/td>\n | \u00a0<\/td>\n | $19,000<\/td>\n | $19,000<\/td>\n | 1<\/td>\n | Kino Lorber<\/td>\n<\/tr>\n | \n| Vermiglio<\/td>\n | $16,200<\/td>\n | 0<\/td>\n | 14<\/td>\n | 3<\/td>\n | $1,157<\/td>\n | $129,831<\/td>\n | 5<\/td>\n | Janus Films<\/td>\n<\/tr>\n | \n| Soundtrack to a Coup d\u2019Etat<\/td>\n | $11,614<\/td>\n | -24%<\/td>\n | 7<\/td>\n | -3<\/td>\n | $1,659<\/td>\n | $245,022<\/td>\n | 13<\/td>\n | Kino Lorber<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":" 1. Flight RiskLionsgate | NEW$12M Domestic Opening Weekend The Mel Gibson-helmed Flight Risk gave Lionsgate its second #1 opener of the year, taking in an estimated $12M in 3,161 theaters for a $3,796 Per Screen Average, in line with our forecasting panel’s pre-release expectations. Here’s how the 3-Day looked… In terms of star Mark Wahlberg, […]<\/p>\n","protected":false},"author":34,"featured_media":36511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24],"tags":[5661,5675],"class_list":["post-36896","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","tag-flight-risk","tag-presence"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=36896"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36896\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/36511"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=36896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=36896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=36896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | | | | |