Deadline<\/a> suggests a lack of P&A spend (only $10M on US TV) might be the culprit, with WB trying to get the most bang for their buck out of the under-$10M picture. The movie was also a genre bender with both comedic and sci-fi elements added to the horror mix. Around 43% of audiences came for the horror genre itself, while new scream queen IT girl Sophie Thatcher is responsible for 26% of tickets bought.<\/p>\n\n\n\nCompanion<\/em> also raked in $5.5M across 60 overseas territories for a global opening bow of $15M. Top 3 markets are the UK ($919K), France ($664K), and Mexico ($458K). There are seven more territories for the movie launching in the coming weeks, including Germany (Feb 6), Brazil (Feb 6), and Korea (March 19), but this weekend represents 80% of global theatrical for the movie. <\/p>\n\n\n\nBriarcliff Entertainment’s military action thriller Valiant One got off to a $725K start on 1,275 screens for a $569 PSA. Shot in 2022, the indie pic stars Chase Stokes and Lana Condor. <\/p>\n\n\n\n
Sunday\u2019s Studio Weekend Estimates
Weekend 5 \u2013 2025
Total 3-Day Domestic Estimates:
$82,293,378M | (+26.8% vs 2024)<\/h2>\n\n\n
\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n| Title<\/td>\n | Weekend Estimate<\/td>\n | % Change<\/td>\n | Locations<\/td>\n | Location Change<\/td>\n | PSA<\/td>\n | Domestic Total<\/td>\n | Week<\/td>\n | Distributor<\/td>\n<\/tr>\n |
\n| Dog Man<\/td>\n | $36,000,000<\/td>\n | \u00a0<\/td>\n | 3,885<\/td>\n | \u00a0<\/td>\n | $9,266<\/td>\n | $36,000,000<\/td>\n | 1<\/td>\n | Universal<\/td>\n<\/tr>\n |
\n| Companion<\/td>\n | $9,500,000<\/td>\n | \u00a0<\/td>\n | 3,285<\/td>\n | \u00a0<\/td>\n | $2,892<\/td>\n | $9,500,000<\/td>\n | 1<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n |
\n| Mufasa: The Lion King<\/td>\n | $6,113,000<\/td>\n | -29%<\/td>\n | 3,180<\/td>\n | -240<\/td>\n | $1,922<\/td>\n | $229,510,210<\/td>\n | 7<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| One of Them Days<\/td>\n | $6,000,000<\/td>\n | -25%<\/td>\n | 2,306<\/td>\n | -369<\/td>\n | $2,602<\/td>\n | $34,450,000<\/td>\n | 3<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n |
\n| Flight Risk<\/td>\n | $5,600,000<\/td>\n | -52%<\/td>\n | 3,161<\/td>\n | n\/c<\/td>\n | $1,772<\/td>\n | $20,907,918<\/td>\n | 2<\/td>\n | Lionsgate<\/td>\n<\/tr>\n |
\n| Sonic the Hedgehog 3<\/td>\n | $3,225,000<\/td>\n | -39%<\/td>\n | 2,665<\/td>\n | -432<\/td>\n | $1,210<\/td>\n | $230,549,000<\/td>\n | 7<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| Moana 2<\/td>\n | $2,836,000<\/td>\n | -32%<\/td>\n | 2,200<\/td>\n | -350<\/td>\n | $1,289<\/td>\n | $453,894,948<\/td>\n | 10<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| A Complete Unknown<\/td>\n | $2,164,000<\/td>\n | -30%<\/td>\n | 1,515<\/td>\n | -495<\/td>\n | $1,428<\/td>\n | $66,691,601<\/td>\n | 6<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n |
\n| The Brutalist<\/td>\n | $1,865,690<\/td>\n | -30%<\/td>\n | 1,612<\/td>\n | 494<\/td>\n | $1,157<\/td>\n | $12,116,310<\/td>\n | 7<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| Den of Thieves 2: Pantera<\/td>\n | $1,600,000<\/td>\n | -47%<\/td>\n | 1,471<\/td>\n | -637<\/td>\n | $1,088<\/td>\n | $34,484,869<\/td>\n | 4<\/td>\n | Lionsgate<\/td>\n<\/tr>\n |
\n| Presence<\/td>\n | $1,340,000<\/td>\n | -60%<\/td>\n | 1,739<\/td>\n | -11<\/td>\n | $771<\/td>\n | $5,883,377<\/td>\n | 2<\/td>\n | Neon<\/td>\n<\/tr>\n |
\n| Wicked<\/td>\n | $1,200,000<\/td>\n | -49%<\/td>\n | 1,318<\/td>\n | -813<\/td>\n | $910<\/td>\n | $470,862,000<\/td>\n | 11<\/td>\n | Universal<\/td>\n<\/tr>\n |
\n| Wolf Man<\/td>\n | $1,150,000<\/td>\n | -65%<\/td>\n | 2,041<\/td>\n | -1,313<\/td>\n | $563<\/td>\n | $19,943,000<\/td>\n | 3<\/td>\n | Universal<\/td>\n<\/tr>\n |
\n| Nosferatu<\/td>\n | $800,000<\/td>\n | -60%<\/td>\n | 983<\/td>\n | -990<\/td>\n | $814<\/td>\n | $94,768,000<\/td>\n | 6<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| Brave the Dark<\/td>\n | $769,646<\/td>\n | -66%<\/td>\n | 1,700<\/td>\n | -530<\/td>\n | $453<\/td>\n | $3,898,508<\/td>\n | 2<\/td>\n | Angel Studios<\/td>\n<\/tr>\n |
\n| Valiant One<\/td>\n | $725,000<\/td>\n | \u00a0<\/td>\n | 1,275<\/td>\n | \u00a0<\/td>\n | $569<\/td>\n | $725,000<\/td>\n | 1<\/td>\n | Briarcliff E\u2026<\/td>\n<\/tr>\n |
\n| Babygirl<\/td>\n | $330,790<\/td>\n | -59%<\/td>\n | 308<\/td>\n | -469<\/td>\n | $1,074<\/td>\n | $27,745,143<\/td>\n | 6<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| September 5<\/td>\n | $320,000<\/td>\n | -57%<\/td>\n | 398<\/td>\n | 3<\/td>\n | $804<\/td>\n | $2,212,000<\/td>\n | 8<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n |
\n| Love Me<\/td>\n | $204,036<\/td>\n | \u00a0<\/td>\n | 527<\/td>\n | \u00a0<\/td>\n | $387<\/td>\n | $204,036<\/td>\n | 1<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n |
\n| Flow<\/td>\n | $120,200<\/td>\n | -32%<\/td>\n | 161<\/td>\n | -60<\/td>\n | $747<\/td>\n | $3,913,994<\/td>\n | 11<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| The Seed of the Sacred Fig<\/td>\n | $120,000<\/td>\n | 274%<\/td>\n | 250<\/td>\n | 234<\/td>\n | $480<\/td>\n | $632,834<\/td>\n | 10<\/td>\n | Neon<\/td>\n<\/tr>\n |
\n| Anora<\/td>\n | $63,600<\/td>\n | -55%<\/td>\n | 247<\/td>\n | -70<\/td>\n | $257<\/td>\n | $15,204,597<\/td>\n | 16<\/td>\n | Neon<\/td>\n<\/tr>\n |
\n| Conclave<\/td>\n | $60,000<\/td>\n | -34%<\/td>\n | 247<\/td>\n | -63<\/td>\n | $243<\/td>\n | $32,025,000<\/td>\n | 15<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| Homestead<\/td>\n | $49,841<\/td>\n | -76%<\/td>\n | 150<\/td>\n | -350<\/td>\n | $332<\/td>\n | $20,754,540<\/td>\n | 7<\/td>\n | Angel Studios<\/td>\n<\/tr>\n |
\n| Kraven the Hunter<\/td>\n | $45,000<\/td>\n | -1%<\/td>\n | 237<\/td>\n | 53<\/td>\n | $190<\/td>\n | $24,922,000<\/td>\n | 8<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n |
\n| Hard Truths<\/td>\n | $35,975<\/td>\n | -80%<\/td>\n | 53<\/td>\n | -489<\/td>\n | $679<\/td>\n | $766,846<\/td>\n | 9<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n |
\n| All We Imagine as Light<\/td>\n | $22,200<\/td>\n | -54%<\/td>\n | 29<\/td>\n | -19<\/td>\n | $766<\/td>\n | $1,021,448<\/td>\n | 12<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| A Real Pain<\/td>\n | $21,000<\/td>\n | -73%<\/td>\n | 60<\/td>\n | -120<\/td>\n | $350<\/td>\n | $8,295,664<\/td>\n | 14<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n |
\n| Vermiglio<\/td>\n | $12,400<\/td>\n | -29%<\/td>\n | 10<\/td>\n | -4<\/td>\n | $1,240<\/td>\n | $152,173<\/td>\n | 6<\/td>\n | Janus Films<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n- <\/li>\n<\/ol>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":" 1. Dog ManUniversal Pictures\/DreamWorks Animation | NEW$36M Domestic Opening Weekend$40.59M Global Total DreamWorks’ animated adaptation of the popular Dog Man book series came in above our highest-end forecast with an estimated $36M from 3,885 screens for a $9,266 Per Screen Average. That is well above the opening salvo of 2017’s Captain Underpants: The First Epic […]<\/p>\n","protected":false},"author":34,"featured_media":36966,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24],"tags":[5663,5662],"class_list":["post-36965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","tag-companion","tag-dog-man"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=36965"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/36965\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/36966"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=36965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=36965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=36965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |