Bugsy<\/em> territory with one of the great icons of the mob genre in De Niro seemed like a recipe for success, but the film just did not work.<\/p>\n\n\n\nOverseas grosses were even more anemic at $1.9M on 1,700+ international screens in nine markets for a $5M global total. Biggest territories were the UK ($499K), France ($374K), and Italy ($286K).<\/p>\n\n\n\n
Briarcliff Entertainment’s release of the bodybuilding drama Magazine Dreams<\/em> starring the divisive Jonathan Majors opened to an estimated $700K on 815 screens for a PSA of $859. Debuting at Sundance in January of 2023, the film was purchased by Disney’s Searchlight and then subsequently shelved after Majors’ legal issues. Briarcliff picked it up, but as they learned on last year’s embattled The Apprentice<\/em>, controversy does not necessarily translate to box office dollars.<\/p>\n\n\n\nSlowly stepping away from serious embarrassment, Marvel Studios’ Captain America: Brave New World <\/em>went up the charts from #4 to #3 this frame with $4.1M for a $192.1M domestic take while finally crossing $400M globally at $400.8M total. That’s still a million shy of Eternals<\/em> ($401.7M) which it should overtake in a few days, and unlikely to match the next highest grossing MCU entry Shang-Chi and the Legend of the Ten Rings<\/em> ($432.2M). It’s remains the highest grossing domestic movie of the year, though #3 worldwide thanks to Middle Kingdom blockbusters Ne Zha 2 and Detective Chinatown 1900. In fact, of the current Top 10 global grosses of the year, only four are MPA movies, one of which (Bridget Jones 4<\/em>) didn’t open theatrically in North America.<\/p>\n\n\n\nSunday\u2019s Studio Weekend Estimates
Weekend 12 \u2013 2025
Total 3-Day Domestic Estimates:
$75,656,584 | (-27.1% vs 2024)<\/h2>\n\n\n
<\/colgroup>\n\n\nTitle<\/strong><\/td>\nWeekend Estimate<\/strong><\/td>\n% Change<\/strong><\/td>\nLocations<\/strong><\/td>\nLocation Change<\/strong><\/td>\nPSA<\/strong><\/td>\nDomestic Total<\/strong><\/td>\nWeek<\/strong><\/td>\nDistributor<\/strong><\/td>\n<\/tr>\n\n| Disney\u2019s Snow White<\/td>\n | $43,000,000<\/td>\n | \u00a0<\/td>\n | 4,200<\/td>\n | \u00a0<\/td>\n | $10,238<\/td>\n | 43,000,000<\/td>\n | 1<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Black Bag<\/td>\n | $4,400,000<\/td>\n | -42%<\/td>\n | 2,713<\/td>\n | 8<\/td>\n | $1,622<\/td>\n | 14,880,000<\/td>\n | 2<\/td>\n | Focus Features<\/td>\n<\/tr>\n | \n| Captain America: Brave New World<\/td>\n | $4,100,000<\/td>\n | -28%<\/td>\n | 2,900<\/td>\n | -350<\/td>\n | $1,414<\/td>\n | 192,117,391<\/td>\n | 6<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Mickey 17<\/td>\n | $3,900,000<\/td>\n | -48%<\/td>\n | 2,584<\/td>\n | -1,223<\/td>\n | $1,509<\/td>\n | 40,222,000<\/td>\n | 3<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n | \n| Novocaine<\/td>\n | $3,760,000<\/td>\n | -57%<\/td>\n | 3,369<\/td>\n | 4<\/td>\n | $1,116<\/td>\n | 15,769,000<\/td>\n | 2<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| The Alto Knights<\/td>\n | $3,165,000<\/td>\n | \u00a0<\/td>\n | 2,651<\/td>\n | \u00a0<\/td>\n | $1,194<\/td>\n | 3,165,000<\/td>\n | 1<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n | \n| The Day the Earth Blew Up: A Looney Tunes Movie<\/td>\n | $1,834,285<\/td>\n | -42%<\/td>\n | 2,703<\/td>\n | -124<\/td>\n | $679<\/td>\n | 6,456,412<\/td>\n | 15<\/td>\n | Ketchup Ente\u2026<\/td>\n<\/tr>\n | \n| The Monkey<\/td>\n | $1,548,750<\/td>\n | -38%<\/td>\n | 1,452<\/td>\n | -842<\/td>\n | $1,067<\/td>\n | 37,862,485<\/td>\n | 5<\/td>\n | Neon<\/td>\n<\/tr>\n | \n| Dog Man<\/td>\n | $1,500,000<\/td>\n | -41%<\/td>\n | 1,766<\/td>\n | -641<\/td>\n | $849<\/td>\n | 95,631,000<\/td>\n | 8<\/td>\n | Universal<\/td>\n<\/tr>\n | \n| The Last Supper<\/td>\n | $1,335,000<\/td>\n | -52%<\/td>\n | 1,575<\/td>\n | n\/c<\/td>\n | $848<\/td>\n | 5,325,434<\/td>\n | 2<\/td>\n | Pinnacle Peak<\/td>\n<\/tr>\n | \n| Paddington in Peru<\/td>\n | $1,300,019<\/td>\n | -51%<\/td>\n | 1,653<\/td>\n | -836<\/td>\n | $786<\/td>\n | 43,668,000<\/td>\n | 6<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Locked<\/td>\n | $964,000<\/td>\n | \u00a0<\/td>\n | 971<\/td>\n | \u00a0<\/td>\n | $993<\/td>\n | 964,000<\/td>\n | 1<\/td>\n | The Avenue E\u2026<\/td>\n<\/tr>\n | \n| Last Breath<\/td>\n | $900,000<\/td>\n | -61%<\/td>\n | 1,519<\/td>\n | -1,142<\/td>\n | $592<\/td>\n | 20,416,000<\/td>\n | 4<\/td>\n | Focus Features<\/td>\n<\/tr>\n | \n| Ash<\/td>\n | $716,777<\/td>\n | \u00a0<\/td>\n | 1,136<\/td>\n | \u00a0<\/td>\n | $631<\/td>\n | 716,777<\/td>\n | 1<\/td>\n | RLJ Entertai\u2026<\/td>\n<\/tr>\n | \n| Magazine Dreams<\/td>\n | $700,000<\/td>\n | \u00a0<\/td>\n | 815<\/td>\n | \u00a0<\/td>\n | $859<\/td>\n | 700,000<\/td>\n | 1<\/td>\n | Briarcliff E\u2026<\/td>\n<\/tr>\n | \n| Mufasa: The Lion King<\/td>\n | $700,000<\/td>\n | -44%<\/td>\n | 1,175<\/td>\n | n\/c<\/td>\n | $596<\/td>\n | 253,800,843<\/td>\n | 14<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Opus<\/td>\n | $282,521<\/td>\n | -72%<\/td>\n | 1,261<\/td>\n | -503<\/td>\n | $224<\/td>\n | 1,803,868<\/td>\n | 2<\/td>\n | A24<\/td>\n<\/tr>\n | \n| October 8<\/td>\n | $250,000<\/td>\n | 0<\/td>\n | 113<\/td>\n | -14<\/td>\n | $2,212<\/td>\n | 851,116<\/td>\n | 2<\/td>\n | Briarcliff E\u2026<\/td>\n<\/tr>\n | \n| One of Them Days<\/td>\n | $175,000<\/td>\n | -49%<\/td>\n | 408<\/td>\n | -217<\/td>\n | $429<\/td>\n | 49,601,000<\/td>\n | 10<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Anora<\/td>\n | $155,925<\/td>\n | -77%<\/td>\n | 253<\/td>\n | -809<\/td>\n | $616<\/td>\n | 20,378,130<\/td>\n | 23<\/td>\n | Neon<\/td>\n<\/tr>\n | \n| Eephus<\/td>\n | $108,273<\/td>\n | 26%<\/td>\n | 80<\/td>\n | 50<\/td>\n | $1,353<\/td>\n | 262,500<\/td>\n | 3<\/td>\n | Music Box Films<\/td>\n<\/tr>\n | \n| A Complete Unknown<\/td>\n | $64,000<\/td>\n | -55%<\/td>\n | 110<\/td>\n | -110<\/td>\n | $582<\/td>\n | 74,904,000<\/td>\n | 13<\/td>\n | Searchlight \u2026<\/td>\n<\/tr>\n | \n| On Becoming a Guinea Fowl<\/td>\n | $59,527<\/td>\n | 175%<\/td>\n | 112<\/td>\n | 95<\/td>\n | $531<\/td>\n | 118,179<\/td>\n | 3<\/td>\n | A24<\/td>\n<\/tr>\n | \n| The Unbreakable Boy<\/td>\n | $52,720<\/td>\n | -75%<\/td>\n | 146<\/td>\n | -312<\/td>\n | $361<\/td>\n | 6,417,000<\/td>\n | 5<\/td>\n | Lionsgate<\/td>\n<\/tr>\n | \n| Heart Eyes<\/td>\n | $46,000<\/td>\n | -75%<\/td>\n | 125<\/td>\n | -398<\/td>\n | $368<\/td>\n | 30,393,000<\/td>\n | 7<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Sonic the Hedgehog 3<\/td>\n | $46,000<\/td>\n | -44%<\/td>\n | 111<\/td>\n | -31<\/td>\n | $414<\/td>\n | 236,089,000<\/td>\n | 14<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| Moana 2<\/td>\n | $44,000<\/td>\n | -74%<\/td>\n | 125<\/td>\n | -160<\/td>\n | $352<\/td>\n | 460,352,256<\/td>\n | 17<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Misericordia<\/td>\n | $25,200<\/td>\n | \u00a0<\/td>\n | 3<\/td>\n | \u00a0<\/td>\n | $8,400<\/td>\n | 25,200<\/td>\n | 1<\/td>\n | Janus Films<\/td>\n<\/tr>\n | \n| Being Maria<\/td>\n | $6,270<\/td>\n | \u00a0<\/td>\n | 1<\/td>\n | \u00a0<\/td>\n | $6,270<\/td>\n | 6,270<\/td>\n | 1<\/td>\n | Kino Lorber<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":" 1. Disney’s Snow WhiteWalt Disney Pictures | NEW$43M Domestic Opening Weekend$87.3M Global Total Disney’s Snow White opened to a disappointing result, earning an estimated $43M from 4,200 locations for a per-screen average of $10,238. Around 32% of that came from PLFs, with $2.8M from 398 North American IMAX screens ($4.4M global IMAX). That opening is […]<\/p>\n","protected":false},"author":34,"featured_media":37746,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24],"tags":[4882,5699],"class_list":["post-37744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","tag-snow-white","tag-the-alto-knights"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/37744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=37744"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/37744\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/37746"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=37744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=37744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=37744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | | | | |