Eternals<\/em> (2021) – $71.29M opening\/$164.87M domestic<\/li>\n<\/ul>\n\n\n\nAnt-Man and the Wasp<\/em> is an ideal movie to give some positive perspective on this opening because it was pre-pandemic and -like Thunderbolts*<\/em>– focused on B-level characters including Ghost. Despite opening in a prime summer slot, no one expected the second Ant-Man to perform like a Spider-Man or Iron Man movie. The second Ant-Man did manage to nearly triple its grosses internationally ($623.1M WW), so those territories will be crucial to how Thunderbolts*<\/em> is ultimately perceived.<\/p>\n\n\n\nOverseas grosses for Thunderbolts*<\/em> were above domestic at $86.1M from all key international markets for a global total of $162.1M. That’s compared to Brave New World<\/em>‘s $92.4M international 3-Day opening which brought the global to $180.9M. The biggest territory was China, where it opened near-identical to Brave New World<\/em>‘s China bow ($10.26M), with 27% coming from IMAX auditoriums ($2.9M). <\/p>\n\n\n\nThunderbolts* \u2013 Opening Weekend
Top Ten Overseas Markets<\/h4>\n\n\n\n
1. China | $10.4M
2. UK | $7.7M
3. Mexico | $7.3M
4. Brazil | $4.0M
5. France | $3.8M
6. Germany | $3.6M
7. Korea | $3.5M
8. Australia | $3.4M
9. Japan | $3.2M
10. Spain | $2.8M<\/p>\n\n\n\n
WB’s Sinners<\/em> has over-performed once again with $33M for a -28% third frame drop to land at #2. That brings domestic to $179.7M on its way to crossing $200M by next week. Globally the movie already crossed that line with $236.7M WW. The biggest overseas territory is the UK with $13.8M.<\/p>\n\n\n\nNow that all is said and done, Lucasfilm’s reissue of Star Wars: Episode III – Revenge of the Sith<\/em> took in a final single week tally of $34,107,714 million. That extra cash pushed the 2005 entry past the $400M mark domestically ($414.37M) and over $900M globally ($902.7M). In terms of the overall franchise, Revenge<\/em> still stands as the #7 and #6 film on both those fronts, respectively.<\/p>\n\n\n\nDisney’s Snow White<\/em> crossed the $200M mark globally ($200.29M) as it continues to chug along before its digital release. Domestic is currently at $86.12M, nudging it past Cruella<\/em> ($86.10M) despite that 2021 film being simultaneously released to Disney+.<\/p>\n\n\n\nNext Weekend<\/h2>\n\n\n\n
The field looks wide open for Thunderbolts*<\/em> to continue to dominate with no major competition until the one-two punch of Mission: Impossible<\/em> and Lilo & Stitch <\/em>on Memorial Day. That’s actually an interesting pairing, since the original animated Lilo & Stitch<\/em> opened against Tom Cruise’s Minority Report<\/em> back in 2002. Next frame sees only small pictures like the horror flick Clown in a Cornfield<\/em> or the Josh Hartnett starrer Fight or Flight <\/em>as studios steer clear of Marvel. <\/p>\n\n\n\nSunday Studio Estimates | Weekend 18 \u2013 2025
Total 3-Day Domestic Gross: $145,371,801 | (+49.2% vs 2024)<\/h2>\n\n\n
\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n| Title<\/td>\n | Weekend Estimate<\/td>\n | % Change<\/td>\n | Locations<\/td>\n | Location Change<\/td>\n | PSA<\/td>\n | Domestic Total<\/td>\n | Week<\/td>\n | Distributor<\/td>\n<\/tr>\n |
\n| Thunderbolts*<\/td>\n | $76,000,000<\/td>\n | \u00a0<\/td>\n | 4,330<\/td>\n | \u00a0<\/td>\n | $17,552<\/td>\n | 76,000,000<\/td>\n | 1<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| Sinners<\/td>\n | $33,000,000<\/td>\n | -28%<\/td>\n | 3,347<\/td>\n | n\/c<\/td>\n | $9,860<\/td>\n | 179,729,000<\/td>\n | 3<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n |
\n| A Minecraft Movie<\/td>\n | $13,700,000<\/td>\n | -40%<\/td>\n | 3,571<\/td>\n | -270<\/td>\n | $3,836<\/td>\n | 398,209,000<\/td>\n | 5<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n |
\n| The Accountant 2<\/td>\n | $9,468,181<\/td>\n | -61%<\/td>\n | 3,610<\/td>\n | n\/c<\/td>\n | $2,623<\/td>\n | 41,151,000<\/td>\n | 2<\/td>\n | Amazon MGM S\u2026<\/td>\n<\/tr>\n |
\n| Until Dawn<\/td>\n | $3,800,000<\/td>\n | -53%<\/td>\n | 3,055<\/td>\n | n\/c<\/td>\n | $1,244<\/td>\n | 14,359,000<\/td>\n | 2<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n |
\n| The Amateur<\/td>\n | $1,800,000<\/td>\n | -51%<\/td>\n | 2,135<\/td>\n | -925<\/td>\n | $843<\/td>\n | 36,939,680<\/td>\n | 4<\/td>\n | 20th Century\u2026<\/td>\n<\/tr>\n |
\n| The King of Kings<\/td>\n | $1,658,234<\/td>\n | -61%<\/td>\n | 2,035<\/td>\n | -1,140<\/td>\n | $815<\/td>\n | 57,665,661<\/td>\n | 4<\/td>\n | Angel Studios<\/td>\n<\/tr>\n |
\n| Warfare<\/td>\n | $1,275,395<\/td>\n | -52%<\/td>\n | 1,315<\/td>\n | -590<\/td>\n | $970<\/td>\n | 1,275,395<\/td>\n | 4<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| The Legend of Ochi<\/td>\n | $341,951<\/td>\n | -76%<\/td>\n | 1,004<\/td>\n | -149<\/td>\n | $341<\/td>\n | 341,951<\/td>\n | 3<\/td>\n | A24<\/td>\n<\/tr>\n |
\n| Disney\u2019s Snow White<\/td>\n | $236,000<\/td>\n | -50%<\/td>\n | 310<\/td>\n | -300<\/td>\n | $761<\/td>\n | 86,123,346<\/td>\n | 7<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| Drop<\/td>\n | $214,000<\/td>\n | -77%<\/td>\n | 470<\/td>\n | -1,403<\/td>\n | $455<\/td>\n | 16,429,000<\/td>\n | 4<\/td>\n | Universal<\/td>\n<\/tr>\n |
\n| Captain America: Brave New World<\/td>\n | $161,000<\/td>\n | 498%<\/td>\n | 105<\/td>\n | 55<\/td>\n | $1,533<\/td>\n | 200,396,781<\/td>\n | 12<\/td>\n | Walt Disney<\/td>\n<\/tr>\n |
\n| Pride & Prejudice<\/td>\n | $135,000<\/td>\n | -79%<\/td>\n | 210<\/td>\n | -450<\/td>\n | $643<\/td>\n | 44,681,000<\/td>\n | 1,017<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| Bonjour Tristesse<\/td>\n | $102,600<\/td>\n | \u00a0<\/td>\n | 228<\/td>\n | \u00a0<\/td>\n | $450<\/td>\n | 102,600<\/td>\n | 1<\/td>\n | Greenwich<\/td>\n<\/tr>\n |
\n| The Wedding Banquet<\/td>\n | $100,615<\/td>\n | -64%<\/td>\n | 83<\/td>\n | -423<\/td>\n | $1,212<\/td>\n | 1,903,156<\/td>\n | 3<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n |
\n| The Shrouds<\/td>\n | $90,600<\/td>\n | -69%<\/td>\n | 169<\/td>\n | -110<\/td>\n | $536<\/td>\n | 600,317<\/td>\n | 3<\/td>\n | Janus Films<\/td>\n<\/tr>\n |
\n| The Ballad of Wallis Island<\/td>\n | $60,000<\/td>\n | -39%<\/td>\n | 86<\/td>\n | -88<\/td>\n | $698<\/td>\n | 1,571,000<\/td>\n | 6<\/td>\n | Focus Features<\/td>\n<\/tr>\n |
\n| The Friend<\/td>\n | $36,608<\/td>\n | -50%<\/td>\n | 67<\/td>\n | -35<\/td>\n | $546<\/td>\n | 3,837,136<\/td>\n | 6<\/td>\n | Bleecker Street<\/td>\n<\/tr>\n |
\n| A Nice Indian Boy<\/td>\n | $30,489<\/td>\n | -40%<\/td>\n | 28<\/td>\n | -13<\/td>\n | $1,089<\/td>\n | 724,324<\/td>\n | 5<\/td>\n | Blue Harbor<\/td>\n<\/tr>\n |
\n| Blue Sun Palace<\/td>\n | $14,063<\/td>\n | 25%<\/td>\n | 4<\/td>\n | -1<\/td>\n | $3,516<\/td>\n | 43,252<\/td>\n | 2<\/td>\n | Dekanalog<\/td>\n<\/tr>\n |
\n| Pavements<\/td>\n | $13,164<\/td>\n | \u00a0<\/td>\n | 1<\/td>\n | \u00a0<\/td>\n | $13,164<\/td>\n | 13,164<\/td>\n | 1<\/td>\n | Utopia<\/td>\n<\/tr>\n |
\n| Vulcanizadora<\/td>\n | $5,246<\/td>\n | \u00a0<\/td>\n | 1<\/td>\n | \u00a0<\/td>\n | $5,246<\/td>\n | 5,246<\/td>\n | 1<\/td>\n | Oscilloscope\u2026<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":" Key Takeaways Total Weekend Gross:$145,371,801 | -0.8% Last Week \/ +49.2% Weekend 18, 2024 The domestic box office registered its fifth consecutive weekend over $100M, an important rally to kick off a Q2 that has reinvigorated the market. We’re slightly down from last weekend overall given the diversity of new product on display for Frame […]<\/p>\n","protected":false},"author":34,"featured_media":37770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24,25],"tags":[117,118,4874],"class_list":["post-38666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","category-numbers","tag-marvel","tag-mcu","tag-thunderbolts"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/38666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=38666"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/38666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/37770"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=38666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=38666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=38666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |