Sunday – $6M<\/li>\n<\/ul>\n\n\n\nCritics showed no mercy at 59% critical on Rotten Tomatoes, though audience response was 90% alongside an “A-” CinemaScore and 4\u00bd stars on PostTrak general with a full 5 stars from the kid audience targeted in the title of the film. Competing with a formidable holdover slate didn’t help matters; this film might have fared better over the doldrums of Q1. <\/p>\n\n\n\n
Overseas this underdog is doing a little better with $26M earned so far internationally on 7,200+ screens in 43 total markets with 40% of territories yet to open including Australia (June 5), Italy (June 5), Spain (Aug 8), France (Aug 13), and Japan (Aug 29). This frame was led by the UK with $3.4M, followed by Germany ($2.2M), and the Middle East ($1.4M). <\/p>\n\n\n\n
Paramount’s big summer bet Mission: Impossible – The Final Reckoning<\/em> held on with a $27.2M sophomore frame to maintain second place with a -57% drop from last week. The domestic tally is now $122.6M, a bit ahead of Dead Reckoning at this point in time ($118.6M) but behind Fallout ($124.8M). Globally, the Tom Cruise stunt spectacular has assembled $353.8M, which puts it in striking distance of toppling Mission: Impossible III<\/em>‘s WW take ($399.3M) within the next few days. This is aided by a terrific #1 showing in China with $25.2M at 11,847 locations, instantly making the Middle Kingdom this entry’s top foreign market ahead of the UK’s $22.3M. The global IMAX total now stands at $53.2M<\/p>\n\n\n\nA24 gave Danny and Michael Philippou\u2019s eerie supernatural horror piece Bring Her Back<\/em> a big launch on 2,449 screens to the tune of $7M for 5th place on the charts under returning horror champ Final Destination: Bloodlines<\/em> at $10.8M and crossing $100M for $111.7M domestic. Sinners<\/em> also did almost as well in its 7th frame with $5.2M, and finally hit over $350M as the industry predicted it would. Bring Her Back<\/em> got 90% critical on RT, while audience rating was 79% and CinemaScore was a “B+” for an overall positive audience reaction. <\/p>\n\n\n\nMiniaturist auteur Wes Anderson’s latest slice of quirk The Phoenician Scheme<\/em> took in $570K on 6 screens in its limited debut for a $95K PSA (beating Friendship<\/em>‘s $74K). This is below the launch of Asteroid City<\/em> in 2023, which took $853,382 for a $142K PSA on the same number of screens during a similar early-summer frame. The Focus Features release received reserved critical praise at 77% on RT, on par with recent efforts Asteroid City<\/em> (76%) and The French Dispatch<\/em> (75%). It launches onto 1500 screens next weekend. <\/p>\n\n\n\nNext Weekend<\/h2>\n\n\n\n
Lionsgate is betting that a little Keanu Reeves will go a long way with the spin-off film From the World of John Wick: Ballerina<\/em>, starring Ana de Armas as a new assassin within the same complex Wick world of crime and murder. Meanwhile, Mike Flanagan’s critically acclaimed non-horror Stephen King adaptation, The<\/em> Life of Chuck,<\/em> starring Tom Hiddleston, will receive a limited release to build word of mouth before expanding<\/span> nationwide on June 13. <\/p>\n\n\n\nSunday Studio Estimates | Weekend 22 \u2013 2025
Total 3-Day Domestic Gross: $149,223,971 | (+55.6% vs 2024)<\/h2>\n\n\n
\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\nTitle<\/strong><\/td>\nWeekend Estimate<\/strong><\/td>\n% Change<\/strong><\/td>\nLocations<\/strong><\/td>\nLocation Change<\/strong><\/td>\nPSA<\/strong><\/td>\nDomestic Total<\/strong><\/td>\nWeek<\/strong><\/td>\nDistributor<\/strong><\/td>\n<\/tr>\n\n| Lilo & Stitch<\/td>\n | $63,000,000<\/td>\n | -57%<\/td>\n | 4,410<\/td>\n | n\/c<\/td>\n | $14,286<\/td>\n | 280,121,482<\/td>\n | 2<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Mission: Impossible\u2014The Final Reckoning<\/td>\n | $27,299,900<\/td>\n | -57%<\/td>\n | 3,861<\/td>\n | 4<\/td>\n | $7,071<\/td>\n | 122,618,000<\/td>\n | 2<\/td>\n | Paramount Pi\u2026<\/td>\n<\/tr>\n | \n| Karate Kid: Legends<\/td>\n | $21,000,000<\/td>\n | \u00a0<\/td>\n | 3,809<\/td>\n | \u00a0<\/td>\n | $5,513<\/td>\n | 21,000,000<\/td>\n | 1<\/td>\n | Sony Pictures<\/td>\n<\/tr>\n | \n| Final Destination: Bloodlines<\/td>\n | $10,800,000<\/td>\n | -44%<\/td>\n | 3,134<\/td>\n | -389<\/td>\n | $3,446<\/td>\n | 111,714,000<\/td>\n | 3<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n | \n| Bring Her Back<\/td>\n | $7,081,501<\/td>\n | \u00a0<\/td>\n | 2,449<\/td>\n | \u00a0<\/td>\n | $2,892<\/td>\n | 7,081,501<\/td>\n | 1<\/td>\n | A24<\/td>\n<\/tr>\n | \n| Sinners<\/td>\n | $5,225,000<\/td>\n | -39%<\/td>\n | 2,138<\/td>\n | -494<\/td>\n | $2,444<\/td>\n | 267,087,000<\/td>\n | 7<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n | \n| Thunderbolts*<\/td>\n | $4,800,000<\/td>\n | -50%<\/td>\n | 2,520<\/td>\n | -660<\/td>\n | $1,905<\/td>\n | 181,858,785<\/td>\n | 5<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Friendship<\/td>\n | $2,567,097<\/td>\n | -51%<\/td>\n | 1,293<\/td>\n | 238<\/td>\n | $1,985<\/td>\n | 12,366,816<\/td>\n | 4<\/td>\n | A24<\/td>\n<\/tr>\n | \n| The Last Rodeo<\/td>\n | $2,145,785<\/td>\n | -60%<\/td>\n | 1,995<\/td>\n | -210<\/td>\n | $1,076<\/td>\n | 10,752,970<\/td>\n | 2<\/td>\n | Angel Studios<\/td>\n<\/tr>\n | \n| J-hope Tour \u2018Hope on the Stage\u2019 in JAPAN: Live \u2026<\/td>\n | $939,173<\/td>\n | \u00a0<\/td>\n | 631<\/td>\n | \u00a0<\/td>\n | $1,488<\/td>\n | 939,173<\/td>\n | 1<\/td>\n | Trafalgar Re\u2026<\/td>\n<\/tr>\n | \n| The Accountant 2<\/td>\n | $776,000<\/td>\n | -62%<\/td>\n | 820<\/td>\n | -1,182<\/td>\n | $946<\/td>\n | 64,999,861<\/td>\n | 6<\/td>\n | Amazon MGM S\u2026<\/td>\n<\/tr>\n | \n| A Minecraft Movie<\/td>\n | $755,000<\/td>\n | -66%<\/td>\n | 824<\/td>\n | -1,263<\/td>\n | $916<\/td>\n | 422,955,000<\/td>\n | 9<\/td>\n | Warner Bros.<\/td>\n<\/tr>\n | \n| Peppa Meets the Baby Cinema Experience<\/td>\n | $689,817<\/td>\n | \u00a0<\/td>\n | 428<\/td>\n | \u00a0<\/td>\n | $1,612<\/td>\n | 689,817<\/td>\n | 1<\/td>\n | Trafalgar Re\u2026<\/td>\n<\/tr>\n | \n| The Phoenician Scheme<\/td>\n | $570,000<\/td>\n | \u00a0<\/td>\n | 6<\/td>\n | \u00a0<\/td>\n | $95,000<\/td>\n | 570,000<\/td>\n | 1<\/td>\n | Focus Features<\/td>\n<\/tr>\n | \n| Tornado<\/td>\n | $130,001<\/td>\n | \u00a0<\/td>\n | 412<\/td>\n | \u00a0<\/td>\n | $316<\/td>\n | 130,001<\/td>\n | 1<\/td>\n | IFC Films<\/td>\n<\/tr>\n | \n| The Amateur<\/td>\n | $58,000<\/td>\n | -49%<\/td>\n | 120<\/td>\n | -145<\/td>\n | $483<\/td>\n | 40,715,939<\/td>\n | 8<\/td>\n | 20th Century\u2026<\/td>\n<\/tr>\n | \n| Hurry Up Tomorrow<\/td>\n | $31,000<\/td>\n | -95%<\/td>\n | 124<\/td>\n | -1,384<\/td>\n | $250<\/td>\n | 5,184,105<\/td>\n | 3<\/td>\n | Lionsgate<\/td>\n<\/tr>\n | \n| Clown in a Cornfield<\/td>\n | $25,000<\/td>\n | -84%<\/td>\n | 47<\/td>\n | -203<\/td>\n | $532<\/td>\n | 7,236,664<\/td>\n | 4<\/td>\n | RLJ Entertai\u2026<\/td>\n<\/tr>\n | \n| Disney\u2019s Snow White<\/td>\n | $11,000<\/td>\n | -96%<\/td>\n | 25<\/td>\n | -25<\/td>\n | $440<\/td>\n | 87,203,312<\/td>\n | 11<\/td>\n | Walt Disney<\/td>\n<\/tr>\n | \n| Ghost Trail<\/td>\n | $5,600<\/td>\n | \u00a0<\/td>\n | 4<\/td>\n | \u00a0<\/td>\n | $1,400<\/td>\n | 5,600<\/td>\n | 1<\/td>\n | Music Box Films<\/td>\n<\/tr>\n | \n| Vulcanizadora<\/td>\n | $1,004<\/td>\n | -13%<\/td>\n | 4<\/td>\n | n\/c<\/td>\n | $251<\/td>\n | 23,717<\/td>\n | 5<\/td>\n | Oscilloscope\u2026<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":" Key Takeaways Total 3-Day Weekend Gross:$149,223,971 | -43% Last Week \/ +55.6% Weekend 22, 2024 A week after the best Memorial Day Weekend on record at the domestic box office saw a 55%+ improvement over last year’s equivalent frame. Lilo & Stitch and Mission: Impossible kept the top two spots in the market with identical […]<\/p>\n","protected":false},"author":34,"featured_media":38591,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[24],"tags":[5755,5664],"class_list":["post-39075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsanalysis","tag-karate-kid-legends","tag-lilo-stitch"],"apple_news_notices":[],"_links":{"self":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/39075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/comments?post=39075"}],"version-history":[{"count":0,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/posts\/39075\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media\/38591"}],"wp:attachment":[{"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/media?parent=39075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/categories?post=39075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.boxofficepro.com\/wp-json\/wp\/v2\/tags?post=39075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | | | | |