{"version":"1.0","provider_name":"Boxoffice","provider_url":"https:\/\/www.boxofficepro.com","author_name":"Chad Kennerk","author_url":"https:\/\/www.boxofficepro.com\/author\/chadk\/","title":"Unveiling Obsession: Filmmaker Atom Egoyan on Fusing Film and Opera in SEVEN VEILS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AFmnKJlebj\"><a href=\"https:\/\/www.boxofficepro.com\/unveiling-obsession-filmmaker-atom-egoyan-on-fusing-film-and-opera-in-seven-veils\/\">Unveiling Obsession: Filmmaker Atom Egoyan on Fusing Film and Opera in SEVEN VEILS<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.boxofficepro.com\/unveiling-obsession-filmmaker-atom-egoyan-on-fusing-film-and-opera-in-seven-veils\/embed\/#?secret=AFmnKJlebj\" width=\"600\" height=\"338\" title=\"&#8220;Unveiling Obsession: Filmmaker Atom Egoyan on Fusing Film and Opera in SEVEN VEILS&#8221; &#8212; Boxoffice\" data-secret=\"AFmnKJlebj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.boxofficepro.com\/wp-content\/uploads\/2025\/03\/SV_D02_00319-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1703,"description":"Following his 1994 film Exotica, which explored desire and obsession, Canadian filmmaker Atom Egoyan was invited to direct the opera Salome in what would become the first of many productions he would helm parallel to his prominent film career. Egoyan\u2019s screen work has been presented in numerous retrospectives across the world, including a career overview [&hellip;]"}